The Groove: juin 2008

jeudi 5 juin 2008

SALSA

En décembre 1994, j'ai eu l'occasion de rencontrer un personnage connu sous le nom de Yuri Buenaventura, au New Morning à Paris (Petites Ecuries)
J'ai été faciné par sa qualité de salsero ainsi que la formation de musicien talentueux comme le percussioniste d'Irakere.......
J'ai pris contact avec lui afin de le promouvoir en Suisse, le lieu était en premier Delémont pour ensuite passer à Genève (malheureusement problème de fonds)par contre peu de temps après il sortit son premier Cd avec "ne me quitte pas-version salsa" qui fera de lui une vedette.........
Voici un extrait de la musique du film SALSA......
Bonne écoute et à vous de juger.

bata002

SALSA! 1999 Francés Yuri Buenaventura...Salsa! Movie Vincent Lecoeur Christianne Gout

Groove style

Soul and funk
The "groove" is also associated with funk performers, such as James Brown's drummers Clyde Stubblefield and Jabo Starks, and with soul music. "In the 1950s, when "funk" and "funky" were used increasingly as adjectives in the context of soul music -- the meaning being transformed from the original one of a pungent odor to a re-defined meaning of a strong, distinctive groove." As "[t]he soul dance music of its day, the basic idea of funk was to create as intense a groove as possible."[12] When a drummer plays a groove that "is very solid and with a great feel...,this is referred to informally as being "in the pocket"; when a drummer "maintains this feel for an extended period of time, never wavering, this is often referred to as a deep pocket."[13] A concept similar to "groove" or "swing" is also used in other African-American genres: "What old jazz heads called “swing,” hip hop
Jazz
In some more traditional styles of jazz, the musicians often use the word "swing" to describe the sense of rhythmic cohesion of a skilled group. However, since the 1950s, musicians from the organ trio and latin jazz subgenres have also used the term "groove". Jazz flute player "Herbie Mann talks a lot about "the groove." In the 1950s, Mann "locked into a Brazilian groove in the early '60s, then moved into a funky, soulful groove in the late '60s and early '70s. By the mid-'70s he was making hit disco records, still cooking in a rhythmic groove." He describes his approach to finding the groove as follows: "All you have to do is find the waves that are comfortable to float on top of." Mann argues that the "epitome of a groove record" is "Memphis Underground or Push Push", because the "rhythm

The Groove

jeudi 5 juin 2008

SALSA

Traduction

ANNONCE

Bienvenue-Welcome

Your Jazz 2

Your Jazz

Mes styles et vidéos favorits

My favorite vidéo

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Groove style

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Major Lance

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