The Groove: Funk Inc-Kool is back

mercredi 23 avril 2008

Funk Inc-Kool is back

Ce style de Funk organ, était très joué en disco à Ostende.Pantalon pattes d'éléphant couleur vive, des pompes à talon haut......
La clientèle venait de France voisine d'Angletere. Cette musique particulière peut répendue animait les soirées chaudes de la côte belge.
Sorti en 1971 sous le label Prestige

N° Artiste Titres
1 funk inc kool is back
2 funk inc bowlegs
3 funk inc sister janie
4 funk inc the thrill is gone
5 funk inc the whipper
Funk, Inc. was a jazz funk/soul jazz group founded in Indianapolis, Indiana in 1969 by Bobby Watley, Eugene Barr, Steve Weakley, Jimmy Munford and Cecil Hunt. During the 1970s they were signed to the Prestige Records label for whom they recorded five albums, though they later disbanded in 1976.[1]

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Groove style

Soul and funk
The "groove" is also associated with funk performers, such as James Brown's drummers Clyde Stubblefield and Jabo Starks, and with soul music. "In the 1950s, when "funk" and "funky" were used increasingly as adjectives in the context of soul music -- the meaning being transformed from the original one of a pungent odor to a re-defined meaning of a strong, distinctive groove." As "[t]he soul dance music of its day, the basic idea of funk was to create as intense a groove as possible."[12] When a drummer plays a groove that "is very solid and with a great feel...,this is referred to informally as being "in the pocket"; when a drummer "maintains this feel for an extended period of time, never wavering, this is often referred to as a deep pocket."[13] A concept similar to "groove" or "swing" is also used in other African-American genres: "What old jazz heads called “swing,” hip hop
Jazz
In some more traditional styles of jazz, the musicians often use the word "swing" to describe the sense of rhythmic cohesion of a skilled group. However, since the 1950s, musicians from the organ trio and latin jazz subgenres have also used the term "groove". Jazz flute player "Herbie Mann talks a lot about "the groove." In the 1950s, Mann "locked into a Brazilian groove in the early '60s, then moved into a funky, soulful groove in the late '60s and early '70s. By the mid-'70s he was making hit disco records, still cooking in a rhythmic groove." He describes his approach to finding the groove as follows: "All you have to do is find the waves that are comfortable to float on top of." Mann argues that the "epitome of a groove record" is "Memphis Underground or Push Push", because the "rhythm

The Groove

mercredi 23 avril 2008

Funk Inc-Kool is back

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